Everything we know about audio perception is wrong (or at least it might be…)

 

My paper “Everything we know about audio perception is wrong (or at least it might be…)” has been accepted for presentation at AISS (Activating Inclusive Sound Spaces) Conference at the University of Huddersfield in July.

In this paper I take a look at the gender balance of participants in research studies on auditory perception.  Not surprisingly the majority of participants in such studies (where stated) are male  – and as such I will question what, we think, we know about auditory perception…

Are there differences in auditory perception between genders? very little research has addressed this question, although there have been some interesting studies recently.

I’m really looking forward to discussing  this and thinking about some of the other key themes of the conference which centre on the assumptions that are made about the communities which shape digital music and sound production.

For more info on the conference: https://inclusivesoundspaces.wordpress.com/

 

 

 

Posted in Research

Great to see Ambrose talking about the art/science behind Architexture II

https://twitter.com/mcs42/status/842322996786278405

Posted in Research

Making learning authentic – blog post

In it she suggests that using ‘authentic’ or ‘real world’ assessment activities sits four square within Zepke’s and Leach’s 10 action points for improving sudent engagment and learning: Capture

Table from : Improving student engagement: Ten proposals for action in Active Learning in Higher Education 11(3):167-177, Oct 2010 

Posted in Teaching

AES Presentation on VSS

Just putting the finishing touches on my presentation for tomorrow’s AES Southern Section Talk in Southampton – full details below.

http://www.aes-uk.org/meetings/forthcoming-meetings/

Southampton Solent University: 9th March, 18:15

The Virtual Singing Studio: A tool for exploring musical performance and interaction through real-time room acoustic simulations.

words

The Pod, Spark Building, Southampton Solent University, East Park Terrace, Southampton.

Jude Brereton, Audio Lab, Department of Electronics, University of York

The physical characteristics of a music performance venue influence the experience of music for the listener and performing musician alike. Indeed, the acoustic characteristics of the venue will influence not only the perception of music for the listener, but also many of the attributes of the performance itself, since a musician will alter their performance in response to the acoustic feedback they receive from the concert hall.  To facilitate the investigation of the influence of acoustic environments on singing performance, a Virtual Singing Studio (VSS) has been developed which offers an interactive room acoustic simulation in real-time, using established auralisation techniques, which allow a singer to perform in an ordinary room and hear him/herself as if singing in a real performance venue.

This talk will introduce the design and implementation of the VSS and report on results which demonstrated that professional singers rated the room acoustic simulation as highly plausible, and judged it to be authentic in comparison to singing at the real performance venue. It will also outline comparisons of singing performance analysis comparing tempo, vibrato and intonation characteristics of singing in the real and virtual performance spaces.   After the talk, audience members will also be able to try out the Virtual Singing Studio for themselves!

Dr Jude Brereton is a Lecturer (T&S) in Audio and Music Technology, Deparment of Electronics, University of York, and has worked in the department since 2003, when she took her first role as a Research Associate.  She is currently Programme Leader for the MSc in Audio and Music Technology and teaches in the areas of virtual acoustics and auralization, music performance analysis and voice analysis and synthesis on postgraduate and undergraduate programmes.

Her research centres on the use of virtual reality technology to provide interactive acoustic environments for music performance and analysis, in particular investigating the effect of different room acoustic conditions on how singers perform, using an interactive real-time room acoustics simulation specially developed for singing performance (The Virtual Singing Studio).

The meeting will start from 6:15pm for tea/coffee with a 6:45pm lecture start, and will finish around 8:30pm (including the practical demos).

Both AES/IoA members and non-members are welcome to attend.

We are walking distance from Southampton Central rail station, and parking should be available on site.

For any queries or further information, please contact Chris Barlow: south@aes-uk.org

Posted in Events, Research

https://twitter.com/judebrereton/status/745253528323624960

Posted in Research

Blow and Monteverdi

Really enjoyed playing baroque viola in yesterday’s Leeds Baroque Orchestra concert http://www.leedsbaroque.org/concerts.html

Claudio Monteverdi: ‘Il ballo dell Ingrate’ (1608) and John Blow:’Venus and Adonis’ (c.1683).

The first baroque orchestra concert I’ve been in which involved Cupid and Cherubs posing live for a selfie during the performance 🙂

 

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